2013 / 2015 / 2016 / 2018

Cast

Director - Judy Hegarty Lovett

Composer/Musical Director - Paul Clark
Additional Composition - Caoimhín Ó Raghallaigh
Assistant Musical Director – James Keane
Lighting Designer - Simon Bennison
Artist - Brian O’Doherty

Actor - Conor Lovett

Singer - Melanie Pappenheim

Cello - Christopher Allan

Hardanger d’amore - Caoimhín Ó Raghallaigh (Brighton, New York, Dublin, Ireland) Cleek Schrey
 (London, Boston).
Piano - John-Paul Gandy
 (Brighton, London, New York), James Longford (Boston, Dublin)
Brighton Choir: Rebecca Askew, Victoria Couper, Elaine Tate.
London Choir: Rebecca Askew, Emily Burn, Victoria Couper, Clemmie Franks, Hazel Holder, Elaine Tate.
New York Choir: Mary Krysta Rivers, Kathryn Growdon, Anna Ward, Jaime Korkos, Kate Maroney.
Boston & Ireland Choir: Amanda Sidebottom, Krysta Rivers, Kathryn Growdon, Anna Ward, Jaime Korkos, Kate Maroney.

Artwork Hello, Sam Redux Rope Drawing #126 (2016) by Brian O’Doherty.
Art Technician - Fergus O’Byrne

Stage Manager - Aoife O’Sullivan, Sadhbh Barrett-Coakley
Company Manager – Aoife O’Sullivan
Production Manager – Peter Crudge, Conor Mullan

Liaison for Irish Museum of Modern Art - Christina Kennedy
Art Handlers – Maurice Ward

Producer – Maura O’Keeffe

Special thanks to The American Friends of The Arts in Ireland and The Irish Theatre Trust.

Here All Night was originally commissioned by Beckett Project Paris and first presented in a work-in-progress performance at Le Centre Culturel Irlandais in Paris in 2010, commissioned by Beckett Project Paris, and supported by Culture Ireland.  In 2013 the show was performed at Brighton Festival, at White Light Festival 2015 at The Lincoln Centre in New York and at Gare St Lazare Ireland's Beckett In London 2016 at The Print Room in London. In October 2016 again with the support by Culture Ireland, Here All Night was performed at Arts Emerson's Paramount Theatre in Boston, USA. In 2018 The Boston Choir rejoined the ensemble to tour seven venues in Ireland including the Abbey Theatre.  

‘...with an absorbing musical agitation, and still it doesn’t outstay its welcome. Cerebral and still sensuous, it knows we have to fill the time somehow.’
— The Irish Times

‘Hegarty Lovett and her team have created something of stark beauty here. The elements of song, sound and sculpture have brought new breadth and depth to the Gare St Lazare vision of Beckett, always so deeply empathetic. Not to be missed.’
— The Irish Examiner Review

‘Samuel Beckett With His Hair Down’
— The Daily Telegraph

‘Among the high points of [Lincoln Center’s] White Light Festival 2015' Opera News Review

Photo: Hugo Glendenning